![]() I had a lot to do with casting, but I was not working hard at the shows week to week. NL: These were shows I wasn’t personally involved in on a daily or perhaps even a weekly basis. You’d had almost a decade of success and weren’t as hands-on with every project, right? NL: The fact that Charlotte Rae was in our lives, and was as talented and funny as she was, was a big part of creating the show.īy 1978, when Tandem launched Strokes, you were at a very different place in your career. But I adored him.Īnd then, exactly a year later, you spun off Charlotte Rae’s character into The Facts of Life. There’s magic about him.” And Bernie Kukoff and Jeff Harris created a show around him. But I fell in love with one of the kids on it and learned his name was Gary Coleman. NL: We made a pilot based on the characters in The Little Rascals, and the show didn’t work. ![]() We didn’t have in mind how a career would look or what the history books would show.ĭo you recall any specifics about how Strokes came to be? I was dealing with what we were doing, and we were working our asses off and having a great time. I was working all the time, so I wasn’t seeing a lot of the other shows. It wasn’t like I looked at a lot of television. Norman Lear: I certainly remember what was going on with us, but I don’t remember the landscape. What was going on in your career, and in TV in general, in 1978 that led you there? ![]() We also chatted about some of Lear’s lesser-known productions and how a 1981 ABC special called The Wave has taken on new urgency in the era of Trumpism.ĭiff’rent Strokes was a massive hit and beloved by viewers, but it’s very different from the kind of critically acclaimed stuff you did in the early and mid-1970s. Vulture caught up with Lear and his longtime production partner Brent Miller to talk about the newest installment of LIFOASA, where tonight’s shows fit into the Lear filmography, and how Kimmel’s friendship has been key to the whole effort. Communications/Embassy for Facts, both of which were ultimately absorbed into Sony Pictures Television.) But while Strokes and Facts never got the critical love and Emmy wins of past Lear shows, they were both extraordinarily successful, turning cast members into cultural icons of the 1980s - four words: What’chu talkin’ ’bout, Willis? - and enduring for decades in reruns. (For the TV nerds keeping track at home, those would be Tandem Productions for Strokes and T.A.T. Instead, he was head of the independent studios behind them. Unlike the shows featured on past editions of LIFOASA, Lear wasn’t actively involved in the creation of either of tonight’s series. Several surprise cameos are also promised. Among the actors scheduled to appear: Kevin Hart, Jennifer Aniston, Damon Wayans, Kathryn Hahn, Gabrielle Union, Allison Tolman, Ann Dowd, and Jon Stewart. ET with stagings of NBC’s Diff’rent Strokes (1978–86) and its spinoff, The Facts of Life (1979–88). After taking last year off because of COVID, the franchise, which re-creates episodes of sitcoms such as All in the Family and Good Times with contemporary celebrities, returns tonight at 8 p.m. I’d come home from school, and I had a very busy schedule of TV shows to watch.”įorty years later, in addition to being a TV star in his own right, the ABC late-night host is now a regular collaborator with Lear the two teamed up to produce the Emmy-winning Live in Front of a Studio Audience for the Alphabet Network. Before Nick at Nite and TV Land launched in the 1980s, Kimmel says, “I remember coming home from school and watching these shows in syndication back-to-back on Channel 5 Las Vegas. Like most Gen-Xers, Jimmy Kimmel was introduced to the world of Norman Lear - and sitcoms in general - courtesy of local afternoon TV. A new event is created where you drop the thumbnail using the preset’s parameters.Photo: David Crotty/Patrick McMullan via Getty Images To create a generated media event quickly, drag a preset thumbnail from the Media Generators tab to the timeline. Use the controls in the Video Media Generators dialog to adjust the plug-in’s settings. In the Video Media Generators dialog, type values in the Frame size and Length boxes to specify the size and duration of the generated media. The Video Media Generators dialog is displayed. Select the plug-in you want to use and click OK. Hover your mouse pointer over a preset to see an animated example, and drag the preset you want to use to the timelineįrom the Insert menu, choose Generated Media. The thumbnail images in the right pane represent each of the existing presets for the selected generator. Select the media generator you want to use:įrom the View menu, choose Media Generators to display the Media Generators window. ![]() Position the cursor where you want to create the event.
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