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![]() 400 years in the blistering sun of Egypt would certainly have darkened the skin of the Hebrew slaves, but it looks unnatural in certain segments. Some critics marveled at the exceptional neutrality of the flesh tones, but there must have been a sale on tanning solution in both Hollywood and Egypt because everyone looks like they have been hanging out at the beach. The bright blues (ornate jewelry and costumes) and natural looking greens (take a look at the reeds in the Nile in the basket sequence) are breathtaking. If you look carefully at the earthen tones (stone walls, desert sand), they pop off the screen with tremendous levels of detail being visible. There are some edge adjustment issues, but they don't make the film any less brilliant. How does it measure up fifty-five years later? Paramount's 1080p restoration is unquestionably one of the best looking films on home video. When The Ten Commandments was released in 1956, it was hailed for its magnificent use of technicolor. Even with state-of-the-art technology at its disposal, the movie industry has no clue how to make a movie like this anymore. Regardless of your religious beliefs, The Ten Commandments is one of the greatest films ever made and it is quite disheartening when one has to compare it to the vast majority of big budget studio crap masquerading as "epic" cinema in 2011. De Carlo gets darker looking as the film rolls on, and I suspect the rather clever DeMille knew the source material well enough to hint at it. ![]() ![]() ![]() Apparently, it was not politically correct to discuss it in Yeshiva in 1975 either. I always thought it was weird that the teachers passed over that sentence when we studied the Book of Exodus, but the reality is that Moses married a black woman and it would have not been politically correct for DeMille in 1956 to portray that. Robinson, Nina Foch, Vincent Price, John Derek, and Yvonne De Carlo was possibly the best ensemble performance in film history.ĭeMille, however, does get away with a Biblical boner thanks to his use of technicolor there has always been a controversy in regard to the color of Moses' wife, Sephora (Yvonne De Carlo, The Munsters), who was a Bedouin. The all-star cast which featured screen veterans Edward G. Critics lambasted Anne Baxter for her campy portrayal of Nefretiri, but many years later it is quite clear that the Oscar-winning actress ( All About Eve, The Magnificent Ambersons) was about as perfect in the role as any actress could have been. Biblical scholars (and a lot of Hebrew school and Sunday school teachers) have not been kind in their treatment of the film, but not even they can deny the impact the film has had on a worldwide audience.ĭeMille's masterpiece of filmmaking could have been a over-the-top cinematic flop with the wrong cast, but the savy director knew exactly what he was doing when he cast Charlton Heston as Moses and the stoic Yul Brynner as Rameses. The story has repeated itself for thousands of years only the actors and levels of barbarity have changed.ĭeMille's interpretation of the story of Moses and the Exodus from Egypt is possibly the most important religious film of all-time if not the most influential in terms of how it shaped the historical perception of the period, Moses and the passing down of G-d's written laws. At its core, The Ten Commandmentsis a film about freedom man's inalienable right to determine his own destiny regardless of race, color, or religious beliefs. DeMille unleashed a film of literally Biblical proportion on the world in 1956, and its staying power some fifty-five years later cannot be overstated. Against a great deal of resistance, director Cecil B. |
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